In Victorian-Era England, a Parish Councillor and criminal take refuge from a storm, at a remote countryside Inn. Forced to stay the night, they soon uncover a deadly pact between the strange Innkeepers and the flesh-hungry werewolves that inhabit the surrounding woodlands... now, as the werewolves close in, the guests must band together and fight tooth and nail to survive the night!

At her husband's funeral, Pearl, Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl.

At her husband's funeral, Pearl, Jewish mother of two divorced and antagonistic daughters, meets an old Italian friend of her husband, whose advice years previously had stopped the husband leaving home. For 23 years he, now a widower, has secretly loved Pearl.

Ex-mercenaries, who have seen and done horrible things, decide to retire and open up a used car lot. They sell a lemon to the wrong person, and find themselves reverting back to their old ways as mercenaries.

Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka "Bambi", former "Playboy bunny" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession. (imdb) 　　Lawrencia Bembenek was a beautiful bride, a 22-year-old blonde who had worked as both a policewoman and a Playboy bunny, when she was arrested in Milwaukee for the murder of her husband's ex-wife. Though the evidence was circumstantial and none of it implicated Miss Bembenek directly or exclusively, she was sentenced to life in prison. Her husband, who had expressed resentment over having to support his ex-wife, sought a divorce soon after his wife's conviction. ''Dear Lawrencia,'' he wrote to her. ''Goodbye. Good luck - Fred.'' 　　The strong possibility that Miss Bembenek, who has been in prison since her 1982 conviction, may have been wrongly accused helped attract the film maker James Benning to her case. Another part of the attraction, as Mr. Benning freely acknowledges, was Miss Bembenek herself. In 1986, her picture in the newspaper caught his eye, and he began corresponding with her and planning a film about her story. ''In all honesty,'' he wrote her, ''I must admit the kind of films I make would hardly benefit you - no money, no mass attention.'' 　　However, the trouble with Mr. Benning's ''Used Innocence,'' which opens today at the Film Forum 1, goes beyond its likely lack of exposure. In attempting both to reconstruct and examine the case against Miss Bembenek, Mr. Benning has a great deal of difficulty translating his information into visual terms. Letters to and from the film maker and his subject, which are read right down to their ZIP codes, are accompanied by nothing more evocative than footage of blue skies. Courtroom testimony, sometimes read in voice-over and sometimes re-enacted by performers who are less than convincing, is presented in a lullingly monotonous way. At times, Mr. Benning peppers these scenes with brief blackouts, as if attempting to wake up his audience. 　　Some of the information is accompanied by long, long scenery shots, taken from a car moving through the Milwaukee environs where the crime occurred. Another voice-over section is actually accompanied by a pitch-dark screen. At the film's end, an actress playing Miss Bembenek is seen silk-screening a poster in the prison's printing shop, repeating this monotonous task perhaps 20 times over. And Mr. Benning, whose style can be as confusing as it is deliberatly flat, at one point lets the camera pan over a newspaper clipping while a voice in the background reads something entirely different. 　　(Janet Maslin, New York Times)

Six-part series about the Italian Renaissance, presented by Andrew Graham-Dixon.

With the worst team track record for penalties in the world when he takes over as manager, Gareth Southgate knows he needs to open his mind and face up to the years of hurt to take England back to the promised land. The country that gave the world football has delivered a painful pattern of loss. Why can't the England team win at their own game?

Black Books centres around the foul tempered and wildly eccentric bookshop owner Bernard Black. Bernard’s devotion to the twin pleasures of drunkenness and wilful antagonism deepens and enriches both his life and that of Manny, his assistant. Bearded, sweet and good, Manny is everything that Bernard isn’t and is punished by Bernard relentlessly just for the crime of existing. They depend on each other for meaning as Fran, their oldest friend, depends on them for distraction.Black Books is a haven of books, wine and conversation, the only threat to the group’s peace and prosperity is their own limitless stupidity.

佐藤义尚：“我做了一个以‘书’为主题的动画作品。前半部分使用平装书，后半部分使用‘邮购’免费书。1996年，8mm作品。曾获2003年IMAGES FESTIVAL的最佳国际视频奖，加拿大。”

佐藤义尚：“我做了一个以‘书’为主题的动画作品。前半部分使用平装书，后半部分使用‘邮购’免费书。1996年，8mm作品。曾获2003年IMAGES FESTIVAL的最佳国际视频奖，加拿大。”